Songs that Mean Stuff

I really like when I hear a song where the subject matter is something other than simple vague emotional topics (love/hate/frustration or whatever), or goes beyond the usual topics (relationships, growing up, failed relationships...that's usually it). There's a place for music that is just of fun...in fact I like a lot of bands that are just that. But, it's really cool to come across songs in genres that where songs are usually superficial, vacuous or not very serious, that actually have a meaning to a specific message or story that is really important and profound. I espeically like finding these songs because they are usually set to a style of music that I really enjoy listening to. It's a win-win situation

For me, I like music that I enjoy listening to. I try to avoid feeling forced into liking certain bands, nor not like them (as in the case of one of the bands on this list actually) by people around me or the people who decide what is "cool" this week (i.e. Pitchfork). For that reason, I still listen to a lot of the ska-punk stuff that I grew up listening to. If I don't like music or a band, it's for the same reasons...at least that is more and more the case (I have had periods where I got caught up in the "scene points" hole of being persuaded by trends over whether or not I would enjoy a band otherwise).

Anyway, that's enough explanation. Here are some songs that I appreciate for being specifically meaningful (not just to me, but to larger issues in society or larger stories that should be important lessons to that society).

Five Iron Frenzy - Banner Year This song always comes to mind when I think of this subject, because it appears on their "Our Newest Album Ever" album after a song about losing a blue comb at age 7 and a couple of songs before a song about Canada that declares it the "Maple Leaf State" and how they have Slurpee's made from venison ("that's deer") and lots of lumber, and lumberjacks, and logs (I really miss this band). Point being, they wrote a lot of funny and non-serious songs, which makes their occasional serious songs worth noting. Banner Year is probably the best example, because it's essentially about the genocide of Native-Americans in the 1800's...not exactly a typical topic for bands whose albums were sold at Christian Bookstores. The chorus is one that would make any America-loving Right-Wing uber-patriot cringe:

"Wave your flag. Salivate.
Stirring feelings of pride and hate.
A peace of cloth can't hold your faith."

It seems that some pretend that Five Iron didn't write these songs ("Anthem" has a similar theme), or that the message wasn't as strong as I see it. I don't know if that's the case, but I find that these songs received little recognition when they were ideologically profound coming from a band whose audience was mostly the suburban kids of the "Christian-Right". I don't think Reese Roper's songs where inherently political...they were written on the grounds that as a Christian, one shouldn't get sucked into the trap of thinking that patriotism is something that goes hand in hand with Christianity. In any case, I admire Roper and his band for going after subjects that, if they had been less successful in the "Christian-scene", they probably would not have been allowed to address, espeically if they had been on one of the major Christian radio labels. But, like most of their less non-serious songs, Roper's religious viewpoint shines through the message. It was refreshing to see it done using relevant topics and outside of the forumlized christian music industry blandness.

Say Anything - Alive with the Glory of Love Those who know me may have heard me speak of this band in less than glowing terms at times...essentially though, that was due to a combination of misunderstanding (frontman Max Bemis is ridiculously bi-polar and very honest about that in his music, which explains a lot of it) and not really giving them a fair chance. So, after about two and a half years of having the album "...Is a Real Boy" shamelessly promoted to my by a friend I gave it another spin. I honestly can't say it's anything less than a really good album. But, Alive with the Glory of Love is the one song in particular sticks out because of it's meaning (and the fact that it's not about Max, his problems, and how he is bi-polar...which again makes for an interesting album).

I guess another reason why I found this song so meaningful is my memory of visiting the well-preserved parts of the Auschwitz Death Camp outside of Krakow Poland last summer. The S.S. during the Holocaust killed more people here than anywhere else...Jews, Poles, people who were not Jewish but looked like me (brown eyes, brown curly hair) Gypsies, resistance fighters, Christians who sympathized with Jews, and homosexuals...among others. It was a mentally-disturbing 6 hour tour of a place that is still permeated by a freakish spirit of pure death. Seeing the "wall of death", starvation rooms and walking into the one gas chamber that the Nazi's didn't have time to destroy before fleeing the approaching Soviets has an effect on you. One of those affects, was giving me an avenue to more fully appreciate this song.

The tune is possibly semi-biographical (Max's Grandparents were involved in the Holocaust), and is about two Jews in love in Nazi occupied Poland who are to be inevitably separated and sent to their "separate work camps". The concentration camp of Treblinka (http://en.wikipedia.org/wiki/Treblinka_extermination_camp) is specifically mentioned in the song, it's a place where at least 700,000 (but possibly more) people were exterminated northeast of Warsaw. I'm curious as to whether the sprawling ghetto mentioned in the song is actually Warsaw (it was one of the largest and most notorious Jewish ghettos in occupied Europe). The genius of the song is that it starts off sounding as a typical love song, but lyrically evolves as it progresses as the context of the story is revealed as the holocaust. It's safe to say that I consider this to be one of the more meaningful songs that I have heard in recent years. The story is sad, but the tone of the song is also upbeat and hopeful. It's songs like this that make me kick myself for being so quick to dismiss bands because peer or scene pressure is telling me that they "suck" because maybe the "wrong kids" like them, or something, I dunno. But I've been given another reason to stop considering any of that and just enjoy music be more open minded and learn things from the words that songs contain.

Piebald - If Marcus Garvey Dies, Marcus Garvey Lives "They teach us what to think but do not teach us how to think". Piebald is a power-pop-punkish-whatever

band that recently disbanded...and not enough people listened to them even though they were profoundly enjoyable and a reasonably good band. In between writing songs about dance parties, stalkers and yellow cars they occasionally cranked out a song about a really interesting specific subject. I had no idea who Marcus Garvey was. Thanks to this song, now I do. Turns out he was really important, but history classes rarely mention him it seems.

"He (Marcus Garvey) was the first man of color to lead and develop a mass movement. He was the first man on a mass scale and level to give millions of Negroes a sense of dignity and destiny. And make the Negro feel he was somebody."
- Dr. Martin Luther King Jr.

http://en.wikipedia.org/wiki/Marcus_garvey

Less than Jake - Lockdown Problems related to urban blight and the decline of American cities are not exactly usual fodder for ska-punk songs...which is why I like Less than Jake so much (the pre-Borders and Boundaries/Anthem albums are my favorites). Lockdown hits on the unfortunate aspects of our current patter of placeless sprawl surrounding dying centers and how things could be better. They also hit on this theme in Boomtown and and some other parts of other songs. Again, unexpected from a band in the ska-punk genre...where songs are more typically about pool parties and such.

At the Drive In - Invalid Litter Dept. It's obvious to most listeners that Cedric Bixler-Zavala's lyrics in At the Drive In and Mars Volta songs rarely seem to make any sense...more of a subconscious stream of words and thoughts with little realistic meaning. Invalid Litter Dept. However, actually does mean something...but you wouldn't easily deduce its meaning without seeing the video that the band made for it.

The song, while still written in Cedric's absurdly roaming and non-nonsensical lyrical style, is about the missing women of Juarez, the Mexican border city across the Rio Grande from At the Drive In's hometown of El Paso. Since the Early 90's the bodies of dozens and dozens of women have turned up in the desert outside of the city and to this day these violent sex crimes remain fully unsolved...leading to theories that anyone from drug cartels to the Federales are involved in the killings. One line in the song goes "the Federales performed their custodial customs quite well". Other lines, such as "they made sure the obituaries showed pictures of smokestacks" are references to the lives of the women, many of whom work in the smoke-belching maquiladora factories (thousands of these exist along the border) which mostly make cheaper goods to be sent across the border into the United States. The video works to explain the meaning behind the more arcane lyrics of the song, and its duration is fully spent on bringing attention to the problem which has received, at best, scattered media attention in the United States (although much more attention in parts of Texas). The song itself is amazing but it's more direct meaning adds a strong layer of emotion to it. I once read an interview with the band where they talked about how several people in the studio broke down crying after they finished recording the song.

Some background on the issue: http://www.npr.org/templates/story/story.php?storyId=1171962

D.I.Y. Documentary Music video for Invalid Litter Dept.: http://www.youtube.com/watch?v=Mb_OrFQN07E